Archives for writing exercise

#FlashPic 45 Railway Line Under Bridge #writingprompt #amwriting

This exercise is about two paths crossing unexpectedly. Two people, who know each other but do not know where the other is today, will be in the same place at the same time. This meeting has consequences for both of them. The idea of two paths running in parallel is echoed by the railway tracks, running separately in the same direction, remaining exactly the same distance apart. When you make these two people meet, your railway imagery should follow suit. This is a writing prompt from the Writers’ BLOCKbusters series. First decide how to use the railway in your story. Where does the action take place – on the bridge, on the platform, beside the railway tracks. Is this the story about a railway accident, a journey by train, or a story of unrequited love. Who are your two characters and what is keeping them apart today? Which key emotions sum up their relationship? Secrecy. Shyness. Stubborness. Emotional blindness. Unfulfilled passion. Disguised hatred. Envy. Jealousy. Concentrate on the railway imagery and how it might lend itself to your story. Two railway tracks, strong, unbending, no diversion, a single focus. A timetable, supposedly fixed but truthfully varying from the schedule and subject to
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Categories: Writers' BLOCKbusters and Writing exercises.

#FlashPIC 44 Green Chairs #writingprompt #amwriting

Some stage sets are minimal, no furniture, no accessories, which has the effect of concentrating the audience’s attention on character. Consider these two green chairs in the same way and stage a scene here. This may be a complete story, or a scene from a larger work. Remember, if something is not shown in this picture you may not use it. This is a writing prompt from the Writers’ BLOCKbusters series. There are two chairs, which implies two characters. But what happens if you add a third person, someone who cannot sit down? How does the choice of two chairs and the conversations about them show the nature of the relationship of your characters. Are they strangers, being bullying, or polite? Perhaps they are a couple with a former partner. Or three siblings with hidden resentments. Consider how each of them in turn reacts to the shortage of one chair. Now decide on the dynamics between the three people before your story starts. Map out how this changes between them as the scene progresses. And what is the finishing point? Finally sketch out the context for the meeting. Is it accidental or pre-arranged. Are they in a quiet corner or a busy
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Categories: Writers' BLOCKbusters and Writing exercises.