Archives for writetip

#FlashPic 45 Railway Line Under Bridge #writingprompt #amwriting

This exercise is about two paths crossing unexpectedly. Two people, who know each other but do not know where the other is today, will be in the same place at the same time. This meeting has consequences for both of them. The idea of two paths running in parallel is echoed by the railway tracks, running separately in the same direction, remaining exactly the same distance apart. When you make these two people meet, your railway imagery should follow suit. This is a writing prompt from the Writers’ BLOCKbusters series. First decide how to use the railway in your story. Where does the action take place – on the bridge, on the platform, beside the railway tracks. Is this the story about a railway accident, a journey by train, or a story of unrequited love. Who are your two characters and what is keeping them apart today? Which key emotions sum up their relationship? Secrecy. Shyness. Stubborness. Emotional blindness. Unfulfilled passion. Disguised hatred. Envy. Jealousy. Concentrate on the railway imagery and how it might lend itself to your story. Two railway tracks, strong, unbending, no diversion, a single focus. A timetable, supposedly fixed but truthfully varying from the schedule and subject to
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Categories: Writers' BLOCKbusters and Writing exercises.

#FlashPIC 44 Green Chairs #writingprompt #amwriting

Some stage sets are minimal, no furniture, no accessories, which has the effect of concentrating the audience’s attention on character. Consider these two green chairs in the same way and stage a scene here. This may be a complete story, or a scene from a larger work. Remember, if something is not shown in this picture you may not use it. This is a writing prompt from the Writers’ BLOCKbusters series. There are two chairs, which implies two characters. But what happens if you add a third person, someone who cannot sit down? How does the choice of two chairs and the conversations about them show the nature of the relationship of your characters. Are they strangers, being bullying, or polite? Perhaps they are a couple with a former partner. Or three siblings with hidden resentments. Consider how each of them in turn reacts to the shortage of one chair. Now decide on the dynamics between the three people before your story starts. Map out how this changes between them as the scene progresses. And what is the finishing point? Finally sketch out the context for the meeting. Is it accidental or pre-arranged. Are they in a quiet corner or a busy
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Categories: Writers' BLOCKbusters and Writing exercises.

#FlashPIC 43 A Tree Alone #writingprompt #amwriting

A single tree on the horizon. It’s an enigmatic setting. This exercise is about how setting can add to the context of your story, adding layers of complexity and mood. This is a writing prompt from the Writers’ BLOCKbusters series. First, decide what you want the tree to symbolise. Is it a meeting place, the place of a confrontation for your rights, a liaison with a lover, a battle? Write a paragraph, a page or however much you need, to work out the details. Give the tree some history, a legend, a rumour. Is treasure buried there? Was a murder committed beneath its branches? Is it a portal to a different world? Do its leaves have magical powers? Work out how your description of the tree can add to the story. Consider all parts of the tree, its roots, branches, leaves, in all four seasons, in different weather. Choose the species of tree – deciduous or evergreen, young or old – and think about this can add hints about your theme. This is not a story about a tree. It is a story in which a tree features. You just need to decide how to use the tree to help you tell
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Categories: Writers' BLOCKbusters and Writing exercises.

#FlashPIC 41 Over-Exposed People #writingprompt #amwriting

These over-exposed people are simply a photographic trick but for today’s writing exercise, imagine this is what you see. Everything is blurred, fuzzy, indistinct. Create a character starting from this fact. This is a writing prompt from the Writers’ BLOCKbusters series. First concentrate on the practicalities. Decide what your character can and cannot see. How much definition is visible and how this affects their daily life. What they can and cannot do, what they would push themselves to do in an emergency. Next decide if this condition is new, perhaps temporary. Due to accident or illness? Or perhaps try a sci-fi spin; is this a side effect of a chemical attack? Whatever the reason, you must consider the character’s emotional reaction of reduced vision. Put yourself in their place. Or perhaps your character has only ever known this degree of vision. How has their life unfolded and what would have been different with full vision. Now it is time to put your visually-impaired character into a dramatic situation. Choose one of the following:- An argument with a loved one; A disagreement on public transport with a stranger; A disciplinary meeting with the boss; An emergency where your character must run to the
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Categories: On Writing and Writers' BLOCKbusters.

Great Opening Paragraph 105… ‘The Long Drop’ #amwriting #FirstPara

“Monday 2 December. He knows too much to be an honest man but says he wants to help. He says he can get the gun for them. William Watt is keen to meet him. Laurence Dowdall has already met Peter Manuel several times. He never wants to see him again.” ‘The Long Drop’ by Denise Mina Amazon Try one of these 1st paras & discover a new author:- ‘Divisadero’ by Michael Ondaatje ‘American Psycho’ by Brett Easton Ellis ‘Dance Dance Dance’ by Haruki Murakami And if you’d like to tweet a link to THIS post, here’s my suggested tweet: THE LONG DROP by Denise Mina #books via @SandraDanby http://wp.me/p5gEM4-2pN SaveSave
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Categories: Book Love and On Writing.