Archives for writers life

#BookReview ‘Ammonites & Leaping Fish’ by Penelope Lively #writerslife

Penelope Lively is one of my favourite authors and so it was with anticipation that I picked up her memoir, Ammonites & Leaping Fish. And I was not disappointed. From page one I was captivated by her writing style, her openness, her storytelling. She writes about her memories, ‘the vapour trail without which we are undone’. Actually this is not quite a memoir; the sub-title is ‘A Life in Time’. Lively reflects on her life in five sections, leaving me with an insight into how she lived her life, her interests and, partly, her writing. She writes about Old Age, Memory, and Life and Times, ‘One of the few advantages of writing fiction in old age is that you have been there, done it all, experienced every decade.’ What she didn’t know, she imagined, used empathy, observation. ‘But it is certainly a help to have acquired that long backwards view.’ She is enlightening about her writing method. ‘I do need to have a good idea where the thing is going – I won’t have started at all until a notebook is full of ideas and instructions to myself. And I will have achieved the finishing line only after pursuing various
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Categories: Book Love and On Writing.

How Sadie Jones writes @ThatSadieJones #amwriting #writetip

Sadie Jones “I know I’m writing badly if I’m making it up on the page…. It’s going well if it’s a thing I am reporting. So I’ll imagine [the scene] and let it play; try to hear it and see it, and then I’ll be describing that. If I’m thinking, ‘Oh, that’s quite a nice sentence’, then I know it won’t do.” [in an interview with ‘The Bookseller’ magazine on January 11, 2019]  Until The Snakes, Sadie Jones wrote historical novels. The Snakes is a contemporary novel, a kind of anti-thriller in that it is a thriller without all the answers. She says she wanted to write a book about there being no answers and used the ‘fuel’ of the thriller to do that. An experienced screenwriter, this affects how she visualises her scenes. Two things in her quote above struck a chord with me. One, she doesn’t make it up on the page. She plans first. Second, it is fatal to stop and admire your own prose. Jones’ first novel, The Outcast, won the Costa First Novel Award, was shortlisted for the Orange Prize, selected for the Richard & Judy Book Club and adapted for the BBC. Three more novels
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Categories: On Writing.

#Bookreview ‘On Writing’ by AL Kennedy @Writerer #amwriting #writerslife

If you want an insight into the nuts and bolts of a writer’s life, this book is for you. On Writing by AL Kennedy is a compilation of her blog posts written for The Guardian Online and essays on specific aspects of the fiction writing process. When you finish it, you will no longer believe that a writer’s life is full of glamour and applause. Kennedy’s life is hectic, mind-spinning in its variety, and inspiring. Join her on a journey as she writes one book, promotes another, teaches creative writing, gives talks and performs her ‘one woman’ show. Sympathise with her through her various debilitating illnesses – name a writer who hasn’t suffered with a bad back, as she does – and cringe as she travels on delayed trains, stays in poky B&Bs, and flies, terrified, to book signings across the world. Some of her stories made me laugh out loud. I loved the fact that she travels with a survival kit to enable her to survive unedifying overnight accommodation, including teabags and longlife food. She has learnt the hard way how to survive. Kennedy has written six novels, five story collections and two books of non-fiction, and she won
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Categories: Book Love and On Writing.