Archives for Pre-Raphaelites

A poem to read in the bath… ‘Remember’ by Christina Rossetti #poetry #funeral

Christina Rossetti was 31 when her most famous collection Goblin Market and Other Poems was published in 1862 but perhaps better known are two other poems. Her 1872 poem A Christmas Carol was set to music by Gustav Holst and renamed In the Bleak Midwinter, and her short poem Remember appears regularly in poems of funeral verse. Her lines of sweet and lyrical verse go straight to the emotional heart of her subject and explain which she remains popular today. Please search for the full poem in an anthology or at your local library. ‘Remember’ Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. BUY THE BOOK Read these other excerpts and find a new poet to love:- ‘Digging’ by Seamus Heaney ‘My Life’s Stem was Cut’ by Helen Dunmore ‘The Unthinkable’ by Simon Armitage And if you’d like to tweet a link to THIS post, here’s my suggested tweet: A #poem to read in the bath: ‘Remember’ by Christina Rossetti via @SandraDanby
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Categories: Poetry.

Book review: Pale as the Dead

This is an unusual mix of genealogy mystery and history, centred on the glamorous Pre-Raphaelite artists and Lizzie Siddal, the girl in the famous ‘Ophelia’ painting. Ancestry detective Natasha Blake meets a mysterious, beautiful young woman, Bethany, who is re-enacting the Lizzie Siddal scene for a photographer. Bethany confides in Natasha her fear that her family is cursed following the deaths of her sister and mother. After asking Natasha to research her family tree, Bethany goes missing. Has she run from a failing love affair, committed suicide, or has she been murdered? The trail is cold. Natasha must turn detective in two senses: she searches the birth, marriage and death records, census returns and wills, to find Natasha’s ancestors; at the same time, she is being followed by someone driving a red Celica. Adam, the photographer, is also Bethany’s boyfriend but Natasha feels there is more to his story than he is telling. The narrative wandered rather from the central story, complicated unnecessarily by Natasha’s own history and love life which added little. Perhaps this could have been avoided by telling part of the story from Lizzie Siddal’s point of view. There were so many peripheral characters, both in the
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Categories: Book Love and Family history research.