Archives for Malaga

‘Ignoring Gravity’ and other writings

I’m now re-drafting Connectedness, part two in the ‘Rose Haldane: Identity Detective’ series, with publication scheduled for late 2016. This is the story of Justine Tree who as an art student gives up her baby for adoption. Almost 30 years later, she asks Rose to find her lost daughter. I’m in the middle of fact-checking the manuscript and my next task is to re-visit Malaga, Spain, where Justine was at art college. I need to check details of locations including Plaza de la Merced, where Justine lives… … the Cathedral, where she sells her paintings to tourists… She lives in an apartment in a building like this… She finds Malaga an inspiring place, particularly the influence of the Moors on architecture. She loves the colours, the shapes and derivation of pattern and the texture and use of materials such as brick and tile. But Malaga is also the place where her life takes an unexpected turn… love, poverty, pregnancy. What happens in Malaga influences her life in ways she can never predict. To make sure you don’t miss the publication of Connectedness, sign-up for my newsletter here for advance information. And don’t forget to read Ignoring Gravity first!   ‘Ignoring Gravity’ by Sandra
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Categories: Book Love, My Novel: 'Connectedness' and My Novel: 'Ignoring Gravity'.

Reading for research: Lucky Kunst

I admit to a wry chuckle as I see the double-takes from my fellow passengers on the Easyjet flight from Malaga to Gatwick. My reading material for the 2 ½ hour flight is Lucky Kunst: The Rise & Fall of Young British Art by Gregor Muir. I’m still researching for my second novel, Connectedness. I’ve come to Malaga to tread in the footsteps of my character, artist Justine Tree, as she treads in the footsteps of Picasso.‘Freeze’, the 1988 art exhibition held by 16 Goldsmiths art students in a London Docklands warehouse and organised by Damien Hirst, first launched the yBa’s into the fusty art world. It wasn’t until 1992 thought that Charles Saatchi introduced the phrase ‘Young British Art’ with his exhibition. From then on, the 1990s were the time of Cool Britannia when artists and pop singers were invited to 10 Downing Street. This is Justine’s time too.I made Justine older than Hirst, Emin, Whiteread, Lucas etc. She graduates from art college in London in 1984 and is noticed by Charles Saatchi in 1993 when he anonymously buys three collages from her collection ‘Blues I, II & III’. In 1997 he exhibits two pieces from Justine’s next collection, ‘The
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Categories: My Novel: 'Connectedness', On Researching and On Writing.